2024 Fall Program

CPAL Class:

Cultivating Scholarly, Curatorial, and Public Interest for Legacy Artists, Artist Trusts, and Foundations

Instructor:

Diedra Harris-Kelley

Location:

The Milton Resnick & Pat Passlof Foundation

87 Eldridge St, New York, NY 10002

Date:

October 30, 2024 (Online and In-Person)

Join us for a new CPAL class on Cultivating Scholarly, Curatorial, and Public Interest for Legacy Artists, Artist Trusts, and Foundations.

This is a two-hour class with the last 15 minutes dedicated to Q&A.

Subjects to be discussed:

  • Introduction - What Artist Trusts and Foundations do.

    Mine your Mission

  • Accessing the assets

    Art, Money, and Minds

  • Scholarly Projects

    Symposiums

    Archives

    Catalogue Raisonné

  • Curatorial Progress

    Minding the Artwork

    Finding the Gaps

    Promoting Ideas

  • Public Interest Programs

    Min(d) your Mission

    Promoting other artists

    Breadcrumbs for the future – Arts Education

    Partnerships, partnerships, partnerships

  • Model for Activities

    Legacy Celebrations

  • Q & A

About the instructor:

Diedra Harris-Kelley is Co-Director of the Romare Bearden Foundation, the non-profit organization perpetuating the legacy of one of our greatest American visual artists. She offers a unique perspective on Bearden’s work, being a formally trained painter, and niece of the artist’s late wife, Nanette Rohan Bearden. For the last decade, she has been part of the team leading the foundation through a successful run of exhibitions, publications, educational and celebratory programs around the life and art of Bearden.

Harris-Kelley earned a BA in Art from California State University, Long Beach, and an MFA from the University of Michigan. She has taught seminar at Barnard College, and has taught studio art at New York University, Parsons School of Design Studio Program, and for alternative high school and elementary school programs; as well as conducted professional development workshops and lectures on art. She was a member of the curatorial team of Jazz at Lincoln Center from 2009 to 2012; and is the author of “Revisiting Romare Bearden’s Art of Improvisation,” published in Uptown Conversation: The New Jazz Studies (Columbia University, 2004).